Archive for May, 2007

Ancestor Mine II

Ancestor ancestor mine

Root of my trunk

Trunk of my branch

Branch of my leaf

How would I grow

 

How would I grow

And green and change

How would I go from now

To then

And stand ‘gainst the winds of time

 

The howling winds of time

To stand straight and tall as you did

And not let the winds strip

Me bare

Nor yet steal the sap from my veins

 

The life running in my veins

The blood from my life

Leaving me withered and dry

Not juicy and full

Leaving me bent and tired

 

Bent and tired and all sucked dry

From the winds of life and time

You have met this wind

Face on and lived thru it

Held straight and tall and fresh

 

Straight and fresh

And ready to stand more

All that came at you

With pride and dignity

And love

 

Child of child of mine

Leaf to my branch

Branch to my trunk

Trunk to my root

Gift of my love’s love

 

Love

Love is the answer

I loved and that was why

The winds which pulled at me

Never took me down

 

Never took me down nor

Sucked me dry

They did their best

But my love

Held me safe

 

Held me safe within

For tired is not lost

And pulled at is not down

And if the dry winds parch then

Pull sweet moisture from down deep

 

Sweet life from love

And all I did

I did for love

And consecrated it to

Life

Ancestor Mine

The night was chilly and damp. The sunset was long past and the moon was well past full, barely enough to send a glint of silver across the waters of the bay. The tide was high and the water slapped against the piling of the quay, pushed by a slight chill breeze. It felt lonely and empty out here tonight. The vigor of the day was gone, and the magic of the sunset, leaving a dark and empty night. I shivered, both from the chill and the emptiness. I walked softly down the docks, afraid to make too much noise; this seemed to be the sort of night where you didn’t want to attract attention to yourself. It might be the unwanted kind. Finally I came to where the barges were lined up, the ferry women waiting to take their charges to the Isle of Ancestors. This was my destination tonight.

 The Song of the Deep was the first in line, so I didn’t have to go looking.  The ferry woman herself was unrecognizable, wrapped in a cloak as black as the sky was tonight. I stepped in and sat on the bench. Wordlessly, the ferry woman handed me a cloak much like her own. Gladly I wrapped it around myself, warmth against the damp chill wind off the water, and we began the journey to the Isle of Ancestors.  

 I was nervous about this and huddled inside the cloak still shivering, although no longer from the weather. I wasn’t sure what I was going to ask, or who I would see. I probably wouldn’t even recognize whoever it was.  I didn’t even know why I was so nervous. Finally I shook myself, took several deep breaths and concentrated on the sound the barge made as it went through the water. I just tried to stay in the moment and my nerves calmed. 

Before I thought it possible, the barge was grinding up on the shore of the island.I stood up and stepped onto the wet sand. I could see a grove of apple trees before me, and crossed the beach towards it. It was shining silver in the moonlight, and a small path wound away under the trees.  

The night did not feel empty here; it was thick with my ancestors who were clustered, waiting. Only one would come to meet with me, but they were all curious and gathered here to see me, the person I had become, and the person I had the potential to be. Their presence warmed me.  

As I walked the white ribbon of path, the crushed shells that formed it crunched under my feet and the apple leaves above me whispered to each other. A branch reached down and stroked my hair as I passed. The spirits drifted away, one by one, until I was left with the sense of just one accompanying me; it felt almost as if I were being led by the hand as though I were a little child. I treasured this feeling until I came to the mound and the door and then the loving spirit left me. I must enter alone. The torches at the entrance were the first light other than the moon that I had seen all night, and they hurt my eyes. 

I entered into the corridor. It smelled of earth and damp and a little bit of growing things- a bit musty, but not unpleasant. I could hear my footsteps echoing in the space. The red glow at the far end which had seemed so far away when I entered was right in front of me sooner than I expected. My stomach was all butterflies again and my palms were sweaty. I felt like I was a little girl again, standing in the hall at school for misbehaving and afraid the headmaster would come by and question me. 

I took a deep breath and stepped into the room. I could see someone standing with their back to me. Remembering my instructions, I walked clockwise around the hearth and sat on the bench across from my ancestor. I asked my question, received the answer and a small gift, and then was questioned in turn. The question gave me food for thought for a long time to come.  

I reached into my pocket and found a small box in it. I gave my gift, a small piece of myself with my love in it. Then I smiled and thanked my ancestor for the time and the pleasure of the meeting and walked the rest of the way around and left. 

The walk back to the barge was silent, except for my feet crunching the shells under foot. My ancestors still pressed close around me and gave me a feeling of being held and loved. It was with sadness that I left them when I reached the beach where the barge was waiting for me. The ferry woman, wrapped in her black cloak, was silent as we made our way back to Duwamish. I was silent, too, for my meeting had given me much to ponder. 

When we reached the bay, the sun was just sending pink streaks onto the horizon, and as I stepped out onto the quay, it edged into the sky. I handed the ferry woman back the cloak she had given me to wear, and, breaking the silence for the first time, thanked her. She smiled, her weathered face crackling into happy lines, and said she could tell things had gone well. I fingered the new token I carried in my pocket and said that yes, things had gone well.

Sheridan House in Dublin

In a genteel area of Dublin, there was a house where Macbeth mixed with magicians, where actors from the Abbey Theatre shared a breakfast table with acrobats, where mountebanks slept in late and returned after midnight, still wearing the traces of fantastic make up.

This was Sheridan House, a theatrical `digs’ that was a cut above the rest.
For travelling vaudevillians and thespians, the question of `digs’ was a serious one. My parents were vaudevillians, and made regular appearances at the Capitol Theatre in Dublin, at least two or three times a year.

A good `digs’ was a treasure. These were mostly private boarding houses providing little more than bed and breakfast, and the quality ranged from acceptable to downright dodgy. The worst provided no comfort at all for theatricals arriving late and hungry from the theatre, and grudging landladies who counted out one slice of bacon and one piece of toast for everyone at breakfast.

Rarely did a `digs’ pride itself on the ability to provide exactly what its transient clients wanted. But thanks to an organization called the Actors’ Christian Union, Sheridan House was a shining exception.

The union were a body of clergy and show business Christians who provided aid to stranded actors, and performed many other excellent services for theatrical people of all religious persuasions – or as was most often the case, no religious persuasion of all. This benevolent and truly charitable organization made no distinction. They provided a helping hand for anyone in “the business’’ who needed it.

Aware that many theatricals were putting up with `digs’ that were more Dickensian than Shakespearian, the union bought a fine old Georgian House in Phoenix Park and turned it into a theatrical boarding house.

Everyone was welcome, from circus performers to Shakespearian actors, and the rates were more than reasonable. One thing the Actors’ Christian Union was acutely aware of, was that theatricals rarely had much money.

The house was named after the Irish dramatist, Richard Brinsley Sheridan. Its charming old Georgian façade, with the fan shaped leadlight over the front door so beloved of architectural historians, opened out onto a quiet, tree lined street.

It was a short walk from the Grand Canal, where I spent a lot of time. The wide grassy banks and thick bushes were perfect for playing hide and seek, and I would lie for hours and watch the graceful white swans, although I never got to close to them – they could be fierce in defence of their dark feathered little cygnets.

As one of the few children ever to stay at Sheridan House, I was something of a novelty, and the staff wasted no time in spoiling me. I was a regular visitor to the homely kitchen, which produced delicious food at any hour. Breakfast was a magnificent meal, starting at 10am.

The cheerful maids in their black uniforms and starched white aprons never woke anyone before then, and only cleaned the rooms and made the beds when the guests left the house.

I used to think that they slept in, as well, because the kitchen was always open when we returned late from the theatre, with a ready supply of hot tea and sausages for supper.

The midday meal was substantial, with a light tea served before the guests left for their respective theatre engagements. Light meals are always advisable before a performance, especially for those prone to stage fright. But by the time theatricals got back to their `digs’, they were ravenous, and supper was a hearty meal.

The good Christian values of cleanliness, quietness and homely comfort were balm to the often tortured theatrical soul. Sheridan House provided spotlessly clean and bedlinen daily, in rooms that emphasised simplicity and comfort. While there was little more than a bed, a cabinet and a wardrobe, all was serviceable and of the best quality.

One of the best features of Sheridan House was the reading room, with its inviting fireplace, deep leather armchairs (polished daily by those tireless maids), writing desks and shelves lined books. Even the books had been carefully chosen, mostly consisting of theatrical biographies, circus histories and other tomes of interest to the guest.

The writing desks were well stocked with pens, paper and envelopes, and stamps could be purchased from the housekeeper, who would also arrange for the letters to be posted. There was an ancient office typewriter for those who need to dash off a letter to an agent or producer.

Rarely has any venture been tailored so perfectly to the needs of its clients. Coming back to Sheridan House at midnight was like returning home, such was the welcome as you walked in the door.

And there was the added pleasure of knowing that the other guests shared the same odd habits of dressing up in spangles and greasepaint to earn a living, and that whenever you arrived, there would be several people staying there that you already knew well.

Sheridan House flourished in the 50s and 60s and now is no more. But it remains in my memory as a home away from home, staffed and run by people of immense kindness and consideration.
In every way, true Christians.